Dancer's Lament: (Path to Ascendancy: 1): an ingenious and imaginative fantasy from a master of the genre

Dancer's Lament: (Path to Ascendancy: 1): an ingenious and imaginative fantasy from a master of the genre


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Ratings
Book
3
Narrator
2
Release Date
February 2016
Duration
16 hours 51 minutes
Summary
Fantastic world-building meets spellbinding storytelling in this must-read fan-favourite from Esslemont. Ideal for fans of Steven Erikson, David Gemmell and Brandon Sanderson.

'This book hits all the right notes at all the right times' -- FANTASY BOOK REVIEW
'Highly entertaining . . . streamlined, tightly-plotted and structured' -- TOR.COM
'An awesome read' -- ***** Reader review
'Esslemont at his best' -- ***** Reader review
'Totally absorbing' -- ***** Reader review
'You'll find this hard to put down' -- ***** Reader review
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It was once a land ravaged by war, minor city states, baronies and principates fighting for supremacy. But when the rival cities of Tali and Quon formed an alliance, Quon Tali came into being.

However that was generations ago, that dynasty has collapsed and the regional powers are now clawing at each others throats once more. But at the heart of Quon Tali lies the powerful city state of Li Heng which has for centuries enjoyed relative stability under the guidance of the powerful sorceress known as the 'Protectress'.

She is not someone likely to tolerate the arrival of two particular young men into her domain: one is determined to prove he is the most skilled assassin of his age; the other is his quarry - a Dal Hon mage who is proving annoyingly difficult to kill.

And now, under a new and ambitious king, the forces of Itko Kan are marching on Li Heng from the south. His own assassins, the Nightblades, have been sent ahead into the city, and rumours abound that he has inhuman, nightmarish forces at his command. So as shadows and mistrust swirl and monstrous beasts run rampage through Li Heng's streets, it seems chaos is come - but in chaos, as a certain young Dal Hon mage would say, there is opportunity . . .
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