Alex Ross has been the music critic of The New Yorker since 1996. His first book, the international bestseller The Rest Is Noise: Listening to the Twentieth Century, was a finalist for the Pulitzer Prize and won a National Book Critics Circle Award. His second book, the essay collection Listen to This, received an ASCAP Deems Taylor Award. He was named a MacArthur Fellow in 2008 and a Guggenheim Fellow in 2015.
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The scandal over modern music has not died down. While modern paintings by Picasso and Pollock sell for a hundred million or more, shocking musical works from Stravinsky’s Rite of Spring onward still send ripples of unease through audiences; yet the... SEE MORE