After the Fall

Written by:
Arthur Miller
Narrated by:
Various Performers

Unabridged Audiobook

Ratings
Book
15
Narrator
Release Date
November 2001
Duration
2 hours 6 minutes
Summary
Miller’s famous autobiographical drama takes place inside the tortured mind of a 40-year-old lawyer. Quentin is haunted by his disastrous affair with a needy sex symbol - a character rumored to be based on Marilyn Monroe, Miller’s second wife.

Recorded before a live audience at the Skirball Cultural Center, Los Angeles in April 1999.

Directed by Richard Masur
Producing Director: Susan Albert Loewenberg

An L.A. Theatre Works full-cast recording starring:
Amy Aquino as Felice/Elsie
Amy Brenneman as Maggie
Gregory Itzin as Mickey
Anthony LaPaglia as Quentin
Claudette Nevins as Mother
Natalija Nogulich as Holga
Amy Pietz as Louise
Al Ruscio as Father
Raphael Sbarge as Lou
Kenneth Alan Williams as Dan

Radio Producer: Raymond Guarna
Recording Engineer: Ed Cerrato
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Reviews
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Anna Shirey

Very interesting. A little hard to follow sometimes, but it just encouraged me to spend a little more time reflecting on it. His connection between the Monroe character and his own recollections of Nazi Germany were interesting and unexpected.

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Anonymous

Not well suited to the audiobook format. This might have been interesting to see in person, but the background noises seem distracting and out of place when one is listening, not seeing. Also, the story jumps around between the past and present. This is hard to follow without the benefit of the visual cues that were (I assume) part of the play.

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DLCT

I love Arthur Miller. Somehow I'm not sure this translates well to a CD for commuter listening. Some phrases were hard to hear and yet, when I cranked up the volume, the next sentence or sound effect blasted my ears. Yes, sound effect -- train whistles, clangs, all kinds of odd noises... To the story: a tormented, guilt-ridden attorney saddled with the conflicted unhappy women he is born unto and then chooses. Classic case of some guys never learn, I suppose. The one woman he seemed happy with, a frequent Nazi concentration camp visitor, he leaves in Europe leading us to believe he doesn't want to be happy. A well-done play but I think I'd prefer to see it on stage.

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Renee Locks

Always interesting and not Miller's best but certainly adds to understanding of male/female relationships.

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Anonymous

For starters, I didn't know it was performed as the play with Anthony LaPaglia. That made the characters come alive. The conversations between the characters made me sad and glad that I don't have conversations this intense with my partner. I wondered about the pairing, Miller & Monroe, now I understand it was about his need.

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