And Then We Grew Up: On Creativity, Potential, and the Imperfect Art of Adulthood

Written by:
Rachel Friedman

Unabridged Audiobook

Ratings
Book
1
Narrator
1
Release Date
December 2019
Duration
6 hours 6 minutes
Summary
One of Publishers Weekly’s Best Books of 2019 

A journey through the many ways to live an artistic life—from the flashy and famous to the quiet and steady—full of unexpected insights about creativity and contentment, from the author of The Good Girl’s Guide to Getting Lost.

Rachel Friedman was a serious violist as a kid. She quit music in college but never stopped fantasizing about what her life might be like if she had never put down her bow. Years later, a freelance writer in New York, she again finds herself struggling with her fantasy of an artist’s life versus its much more complicated reality. In search of answers, she decides to track down her childhood friends from Interlochen, a prestigious arts camp she attended, full of aspiring actors, artists, dancers, and musicians, to find out how their early creative ambitions have translated into adult careers, relationships, and identities.

Rachel’s conversations with these men and women spark nuanced revelations about creativity and being an artist: that it doesn’t have to be all or nothing, that success isn’t always linear, that sometimes it’s okay to quit. And Then We Grew Up is for anyone who has given up a childhood dream and wondered “what-if?”, for those who have aspired to do what they love and had doubts along the way, and for all whose careers fall somewhere between emerging and established. Warm, whip-smart, and insightful, it offers inspiration for finding creative fulfillment wherever we end up in life.
Reviews
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Daniel C.

The book is short and has some interesting takes on potential and the definition of making it. I did find it to be more on the lighter side. Maybe due to that lightness it also seemed a bit filled with extra lines or interactions the author had that were drawn out longer than they had just to fill more pages. The narrator can get a bit overly emphatic sometimes. I didn’t particularly appreciate her impressions of a little girl or of a man’s voice.

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