Through the eighteenth and early nineteenth centuries, it was a fact universally acknowledged that any man in want of a great fortune ought to find himself a Caribbean heiress. Their assets, the product of the exploitation of enslaved African men, women, and children, enabled them to marry into the top tiers of the aristocracy and influence society and politics. They fell in love (not always with their husbands), eloped, divorced, squandered fortunes, commissioned art, threw parties, went mad and (in once case) faked a daughter's death.

In her much anticipated follow up to Black Tudors, Miranda Kaufmann peers beneath our pastel-hued, Jane Austen inspired image of the Georgian heiress to reveal a murky world of inheritance, fortune-hunting, and human exploitation. She also unearths the stories of the people the heiresses enslaved, whose labor funded their lifestyles and with whom their fates were intimately intertwined.

Heiresses provides a compelling and often shocking account of how Britain profited and continues to profit from enslavement. In the vein of landmark books such as Empireland, Natives, They Were Her Property, and White Debt, Heiresses promises to expand and challenge our understanding of history.