My little puma! My darling cat! My mountain lion! How will you go on living if we leave each other?'

Colette (1873-1954) is one of the most widely read and critically acclaimed French writers of the twentieth century. The Catfirst serialised then published in volume form in 1933) is one of her short novels. This story of a middle-class couple in 1920s Paris follows the familiar romantic structure of the 'eternal triangle', with the unexpected twist that the female rival is not a woman but a cat. The novel displays her capacity to conjure up a vibrantly physical world and a particular social moment, her radical yet nuanced view of gender roles, and her empathy with non-human creatures. The Masked Woman is a collection of short texts, mainly written for the daily newspaper Le Matin, focusing on small moments that mark a transition in a person's life, and on certain recurring themes: the pleasure and the pain in relationships between women and men, the wearing of masks both literal and metaphorical, female complicity and solidarity. They are also linked by Colette's inimitable narrative style, by the vividly material fictional universe she creates, and her liking for surprise and paradox that challenges a commonsensical view of the world.